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  • Writer's pictureThe San Juan Daily Star

Piper Laurie, reluctant starlet turned respected actress, dies at 91

Piper Laurie in 2016. Tired of the Hollywood star-making machinery early in her career, she took a 15-year break from it. In her comeback, she earned a second Oscar nomination.

By Anita Gates

Piper Laurie, who escaped the 1950s Hollywood starlet-making machinery to become a respected actress with three Oscar nominations and an Emmy Award, died Oct. 14 at a nursing facility in Los Angeles. She was 91.

Her manager, Marion Rosenberg, confirmed the death, but did not specify the cause.

Laurie’s first Academy Award nomination was for best actress in “The Hustler” (1961), in which she played a lonely alcoholic who hooks up with a dissolute pool player played by Paul Newman. After a 15-year break from making movies, she earned a comeback nomination for her performance as the deranged religious mother of a telekinetic teenager (Sissy Spacek) in “Carrie” (1976). She received her third nomination for her role as the estranged mother of a young deaf woman (Marlee Matlin) in “Children of a Lesser God” (1986).

Just before that, she had won an Emmy for “Promise” (1986), an acclaimed CBS movie about schizophrenia in which she played James Garner’s helpful ex-girlfriend. She received eight other Emmy nominations, including for her roles as the vengeful paper-mill manager on the original “Twin Peaks,” Rachel Ward’s sympathetic married friend in “The Thorn Birds” and the comically vicious mother of a coldhearted psychiatrist on the NBC sitcom “Frasier.”

Laurie, whose birth name was Rosetta Jacobs, was 17 when Universal-International signed her as a contract player and gave her the screen name Piper Laurie — a change about which she had mixed feelings. It was the era of publicity gimmicks, an attempt to brand new performers, especially starlets, with fabricated, sometimes outrageous histories or habits. The studio was looking for an angle that had not been used before. A publicist on the set of a movie she was shooting observed a scene that involved putting flowers in a salad. The publicist decided to position her as the girl who ate flowers — orchids, rose petals, marigolds. And so she did, dutifully, for photographs and interviews. (“They didn’t taste so bad,” she told a United Press International reporter in 1991.)

Rosetta Jacobs was born in Detroit on Jan. 22, 1932, the younger of two daughters of Alfred Jacobs, a furniture dealer, and Charlotte Sadie (Alperin) Jacobs. Her grandparents were Jewish immigrants, from Poland on her father’s side and from Russia on her mother’s.

When Laurie was 6, she was sent to accompany her older sister, who was asthmatic, to a sanitarium in Southern California. Laurie wrote in her 2011 memoir, “Learning to Live Out Loud,” that she never understood why she had to go too. Her parents told her it was to “keep your sister company,” but in hindsight, she wrote, “They must have been suffering in ways they believed we couldn’t understand” and just couldn’t deal with parenthood at the time. Three years later, their parents moved to Los Angeles and had them released.

Although Laurie hated those years in the sanitarium, she eventually saw them as having benefited her. “My exile had cultivated an imagination that grew like a giant, sheltering flower,” she wrote in her memoir. “It was a lifetime gift.”

Laurie was unusually anxious about public speaking, so she was given elocution lessons. Those led to small acting roles, and with her mother’s encouragement she found a part in a play presented by a low-profile theater company in Los Angeles, won a screen test in a local contest (but did badly on the test itself), took part in comedy sketches at a resort and eventually found an agent. She and another newcomer, Rock Hudson, signed seven-year movie contracts on the same day.

Universal cast her in “Louisa” (1950), a romantic comedy in which she played Ronald Reagan’s teenage daughter. (They dated after filming was over.) Over the next four years, she appeared in a dozen films, including “The Prince Who Was a Thief” (1951), “Son of Ali Baba” (1952), “The Mississippi Gambler” (1953) and “Francis Goes to the Races” (1951), in which one co-star was a talking mule.

After moving to New York in the mid-1950s, Laurie acted in off-Broadway stage productions and television dramas. But she did not make her Broadway debut until 1965, when she starred as the fragile teenage heroine, Laura, in a revival of Tennessee Williams’ “The Glass Menagerie,” with Maureen Stapleton and Pat Hingle. She returned to Broadway only once, in 2002, as part of the ensemble cast of “Morning’s at Seven.”

Laurie had a long romantic relationship with director John Frankenheimer, who directed her in the original live television version of “Days of Wine and Roses” in New York, but they never married. While promoting “The Hustler,” Laurie was interviewed by Joe Morgenstern, then an entertainment reporter for The New York Herald Tribune and later a film critic for Newsweek and The Wall Street Journal. They began dating and married in 1962.

They stayed together for two decades and lived in Woodstock, in upstate New York, for much of that time. She did a handful of guest roles on television in the first years of their marriage, then disappeared from the screen altogether in 1966 until “Carrie” — which she originally thought was meant to be a comedy — came along a decade later. In between, she focused on her marriage; sculpture, which she studied at the Art Students League in New York; and a new daughter, Anna.

“Being a mother and a stone carver really helped me to find my voice,” she told The Hollywood Interview, an entertainment blog, decades later. She and Morgenstern divorced in 1982. Survivors include a daughter, Anna Grace Morgenstern.

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