Ego Trip Exhibit at UPR-Carolina unites generations

“Abuelo Federico” by Valeria Nieves Santiago

By THE STAR STAFF

The Ego Trip Exhibit at the University of Puerto Rico (UPR) Carolina Campus, a recurring showcase conceptualized by artist Norberto Morales, continues to serve as a vibrant platform for both established artists and emerging talents. This year’s edition brought together a dynamic mix of voices, including seasoned painter John Rivas, head of the Graphic Design Department at the UPR-Carolina, and newcomer Valeria Nieves Santiago, a drawing professor at the same institution.

Rivas, a regular contributor to the exhibit, presented three evocative portraits -- “El Roble,” “Lavender,” and “Floripondio” -- each borrowed back from a private collector whose identity he chose to keep anonymous, though he described them as “very knowledgeable of the art world.” His participation reaffirmed the exhibit’s mission to foster intergenerational dialogue through art.

“I have discovered the great amount of talent among the young and upcoming who are letting people know about their work alongside those who are more experienced,” Rivas said, expressing admiration for the fresh perspectives and creative energy present in the show.

His featured works explore themes of nature, resilience and solitude: “El Roble” immortalizes the Federico oak, a symbol of life and strength. Through a simple yet powerful composition, Rivas conveys a message of permanence and protection, underscored by soft cloud strokes that suggest infinite space. The piece reflects his dual identity as an artist and community educator.

“Lavender” pays tribute to the flower’s historical and artistic legacy, celebrated since ancient Rome and by impressionist masters like Monet and Van Gogh. Rivas’ portrayal features blooming lavenders under Puerto Rico’s crisp light, arranged in a horizontal composition that highlights their texture and vibrant color.

“Floripondio” offers a poetic reflection on urban solitude. A bouquet in a metal bucket contrasts with a cool-toned, block-like wall, evoking the rigidity of city life. The warm hues of the flowers stand in stark opposition to their surroundings, creating a poignant metaphor for emotional isolation reminiscent of Myrna Báez’s introspective works.

While Rivas brought depth and experience to the exhibit, Nieves Santiago made her exhibition debut with a deeply personal digital portrait titled “Abuelo Federico.” The piece captures a tender moment of her late grandfather enjoying coffee on a porch with white plastic chairs -- a scene rich in emotional resonance.

Despite having a personal website showcasing her work, Nieves Santiago admitted to being shy about exhibiting publicly.

“It was time to expose myself, show my talent, and my works,” she said, explaining her decision to participate in Ego Trip. Her choice to feature a personal subject added intimacy and vulnerability to her debut, signaling her readiness to share her stories through art.

Together, the works of Rivas and Nieves Santiago exemplify the Ego Trip Exhibit’s unique ability to unite generations, offering audiences a multifaceted experience of beauty, memory and social reflection. The exhibit continues to be a space where seasoned voices and fresh perspectives converge, enriching Puerto Rico’s contemporary art scene.