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By Anita Gates
Louis Gossett Jr., who took home an Academy Award for âAn Officer and a Gentlemanâ and an Emmy for âRoots,â both times playing a mature man who guides a younger one taking on a new role â but in drastically different circumstances â died early Friday in Santa Monica, California. He was 87.
Gossettâs first cousin Neal L. Gossett confirmed the death. He did not specify a cause.
Gossett was 46 when he played Emil Foley, the Marine drill instructor from hell who ultimately shapes the humanity of an emotionally damaged young Naval aviation recruit (Richard Gere) in âAn Officer and a Gentlemanâ (1982). Reviewing the movie in The New York Times, Vincent Canby described Foley as a cruel taskmaster ârecycled as a man of recognizable cunning, dedication and humorâ revealed in âthe kind of performance that wins awards.â
Gossett told the Times that he had recognized the roleâs worth immediately. âThe words just tasted good,â he recalled.
When he accepted the Oscar for best supporting actor in 1983, he was the first Black performer to win in that category and only the third (after Hattie McDaniel and Sidney Poitier) to win an Academy Award for acting.
Gossett, a versatile actor, played a range of parts in his long career. But he was best known for playing decent, plain-spoken men, often authority figures.
By the time he won his Oscar, he had already won an Emmy as Fiddler, the mentor of the lead character, Kunta Kinte (LeVar Burton), in the blockbuster 1977 miniseries âRoots.â
Fiddler was, as the name suggested, a musician, an enslaved man on an 18th-century Virginia plantation. Gossett was not thrilled about the role at first. âWhy choose me to play the Uncle Tom?â he remembered thinking in a 2018 Television Academy video interview. But he came to admire the survival skills of forebears like Fiddler, he said, and based the character on his grandparents and a great-grandmother.
That portrayal, he said, became âa tribute to all those people who taught me how to behave.â
Louis Cameron Gossett Jr. was born May 27, 1936, in Brooklyn, New York, the only child of Louis Gossett, a porter, and Helen (Wray) Gossett, a nurse. He made his Broadway debut when he was 17 and still a student at Abraham Lincoln High School on Ocean Parkway.
While healing after a basketball injury, he appeared in a school play, just to occupy his time. Impressed, a teacher suggested that he audition for âTake a Giant Step,â a play by Louis Peterson that was opening at the Lyceum Theater in the fall of 1953. He won the lead role, that of Spencer Scott, a troubled adolescent. Brooks Atkinson of the Times praised his âadmirable and winning performance,â one that conveyed âthe whole range of Spencerâs turbulence.â
Sidney Fields devoted a column in The Sunday Mirror to the young man, who shared his career plans. âI always wanted to study pharmacy,â Gossett said. âBut now after college Iâll try acting. I know itâs a tough business, but if I fail, Iâll have the pharmacy degree to fall back on.â
He ended up majoring in drama (and minoring in pharmacy) while on a basketball scholarship at New York University. In 1955, he returned to Broadway, in William Marchantâs comedy âThe Desk Set.â By the time he graduated, acting was paying him more than any basketball team would.
He made his film debut as an annoying college man in âA Raisin in the Sunâ (1961), an adaptation of the Lorraine Hansberry play that starred Sidney Poitier and Ruby Dee. He had appeared on screen only twice before â in two episodes of âThe Big Story,â an NBC drama series, in 1957 and 1958.
Before becoming a film star, Gossett had a thriving theater career. In less than a decade, he landed six Broadway roles, including that of a Harlem hustler in âTambourines to Gloryâ (1963), a South African grandfatherâs servant in âThe Zulu and the Zaydaâ (1965), a lawyer who had killed a white man in a civil rights demonstration in âMy Sweet Charlieâ (1966) and Congolese leader Patrice Lumumba in âDangerous Angelsâ (1971).
In the mid-1960s, he replaced the actor playing big-time boxing promoter Eddie Satin in the musical âGolden Boy,â starring Sammy Davis Jr. His most unfortunate role may have been as a Black man with a white slave in âCarry Me Back to Morningside Heightsâ (1968), a comedy written by Robert Alan Aurthur and directed by Sidney Poitier. The play, which Clive Barnes of the Times called racist, closed after a week.
Gossett never committed to another Broadway role. But he appeared for four nights as flashy lawyer Billy Flynn in the musical âChicagoâ in 2002.
His dozens of feature films included âThe Landlordâ (1970), in which he played a man on the brink of insanity; âTravels With My Auntâ (1972); and âThe Deepâ (1977), as a Bahamian drug dealer. His later films included âDiggstownâ (1992), in which he played a boxer, and the movie version of Sam Shepardâs âCurse of the Starving Classâ (1994), in which he played a bar owner.
Gossett made more than 100 television appearances, ranging from lighthearted comedies like âThe Partridge Familyâ to dramas like âMadam Secretary.â He played the title role, a Columbia anthropology professor who investigates crimes, on the short-lived 1989 series âGideon Oliver.â
He also appeared in numerous television movies, among them âThe Lazarus Syndromeâ (1978), about a cardiologist; âA Gathering of Old Menâ (1987), about a Black man who kills in self-defense; âStrange Justiceâ (1999), about the Clarence Thomas Supreme Court confirmation process (he played presidential adviser Vernon Jordan); and âLackawanna Bluesâ (2005), based on Ruben Santiago-Hudsonâs play. His other TV-movie roles included Egyptian leader Anwar Sadat and baseball star Satchel Paige.
He continued to act until last year, when he was seen in the film version of the Broadway musical âThe Color Purple.â
Gossettâs marriage to Hattie Glascoe in 1964 lasted only five months. He and Christina Mangosing married in 1973, had one child and divorced after two years. His 1987 marriage to Cyndi James Reese ended in divorce in 1992.
Gossett is survived by his sons, Satie and Sharron Gossett, and several grandchildren.